Take debut single, "Orange Color Queen," for example - a supreme moment of tenderness. This leads to a new departure in group sound, as well as some of the most visceral and penetrating vocal passages yet heard from Ty Segall. The construction and destruction of his chosen realities has, until now, been a luxury Ty has rightfully reserved for himself, striping overdubs together to form the sound - but for this new album, he entered a studio backed by a full band - Emmett Kelly, Mikal Cronin, Charles Moothart and Ben Boye - to get a read on this so-called clarity. It's got some of the most lobe-blasting neckwork since the Ty Segall Band's Slaughterhouse (from way back in the long, hot summer of 2012), but it also features a steep flight of fluent acoustic settings. His new self-titled record - the next record after Emotional Mugger, Manipulator,Sleeper, Twins, Goodbye Bread, Melted, Lemons and the first self-titled album that started it up in the now-distant year of 2008 - is a clean flow, a wash of transparency falling into a world that needs to see a few things through clearly, to their logical end.
Ty Segall has made whole records that wrestle with realities - fighting against some, pulling mightily to bring others into being.
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